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Jocelyn Bioh’s SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY Addresses Issues of Beauty and Skin Tone

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Black Women in Entertainment

Jocelyn Bioh’s SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY Addresses Issues of Beauty and Skin Tone

Though the teenage girls at the center of Jocelyn Bioh‘s endearing and poignant School Girls; or, the African Mean Girls Play all have wonderful qualities that should be appreciated and nurtured during their years at Aburi Girls Boarding School in central Ghana, there is one quality that prevents them all from having a chance to represent their country in the 1986 Miss Universe Pageant. They all look like a teenage girl from Ghana.

Or, to be blunt, their physical features, especially their dark skin tone, don’t match the westernized standard of beauty (code words used are “universal” and “commercial”) that those choosing their nation’s representative regard as the unspoken requirement to succeed in the international competition.

Director Rebecca Taichman (Tony winner for last season’s INDECENT) delivers another spot-on production, with Bioh’s realistic blend of humor and bite swiftly making its points in a play that’s solidly satisfying in just 75 minutes.

While the tough, but loving headmistress Francis (Myra Lucretia Taylor) keeps her students in line, it’s the verbally cruel and confident Paulina (MaameYaa Boafo) who is the self-styled role model for success, femininity and cool points.

Her close at hand lackeys, cousins Gifty and Mercy (Paige Gilbert and Mirirai Sithole) make sure words of praise are always in earshot, particularly when the studious Ama (Nike Kadri) and the larger-sized Nana (Abena Mensah-Bonsu) are around.

The girls are obsessed with all things American, though they don’t always grasp the culture accurately. Paulina impresses the others by telling how her brother in America works at that famous restaurant White Castle and sends her exotic gifts from stores like Conway and that exclusive shopping district, Chinatown.

So you can imagine the excitement when they learn that the newly-arrived student,Ericka (Nabiyah Be), has transferred to their school after living in America. Of mixed racial heritage, the sweet and graceful Ericka has light skin and “commercial” features.

And she’s arrived just in time to be seen by the posh and poised representative from the Miss Ghana division of the Miss Universe Pageant, Eloise (Zainab Jah). The former Miss Ghana of 1966, Eloise scouts for potential pageant winners, or at least finalists, and is especially under pressure to satisfy sponsors this year.

So even though everyone up to now had assumed Paulina would be the obvious choice, the new girl’s arrival makes it a new ballgame.

Bioh’s inspiration for the story was taken from the situation involving Ghana’s 2011 Miss Universe contestant, Erica Nego. Born of Ghanaian and American parents, Nego had …

 

Please read original article- Jocelyn Bioh’s SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY Addresses Issues of Beauty and Skin Tone

 

I am a future butterfly at the stage of growth when I am turning into an adult. I am enclosed in a hard case shell formed by love, family, and friends. It is the hardest stage of becoming a black butterfly. You will encounter many hardships only to come out stronger and better than what you went in. At this stage, you are finding out who you truly are and how to love yourself.

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